JANE Magazine - Issue 12
A collection of works in Collaboration with CHANEL Makeup for Jane Magazine - Issue 12
Featuring 20 individual artworks, each representing a shade of lipstick from the ‘Rouge Allure L'Extrait’ lipstick collection.
The Edition Magazine - Rouge Dreamer
ROUGE DREAMER .
THE RED THREAD THAT DANCES BETWEEN BEAUTY AND ART, OF DEEP LIPSTICK COLOUR TONES, ABSTRACT PAINTERLY SHAPES AND MELANCHOLIC MOODS - TIMELESS BEAUTY.
BY PETER VAN ALPHEN AND TENEILLE SORGIOVANNI.
Real Living Magazine - Decorate
Artworks featured in Real Living Magazine - Decorate Issue May 2021
‘Cornflower Sky’
‘Desert Plain’
‘Salt Lake Series’
Real Living Magazine - Objects of Desire
Artworks featured in Real Living Christmas Guide - December Issue 2021
‘Swell’ - Using CHANEL Fall Winter 2021 make up collection
‘Red Salt Lake’
St Agni Journal - In Her Shoes
lipstick and thread featured in St Agni Journal - No.61
In this edition of In her Shoes we speak to Teneille Sorgiovanni about her art, passion and inspiration. Friend of the brand and contributor to the St. Agni vision, we have been lucky enough to work with leading make-up director over the years. Watching as she fearlessly takes leaps of faith, following her career to New York & London before returning home as a now, freelance Sydney based make up artist working with us on our most recent runway at Afterpay Australian Fashion Week in partnership with MAC Cosmetics.
In your own words, tell us what you do?
I'm a Makeup Artist based in Sydney. I love what I do and I have been fortunate enough to learn and work in the industry whilst living in London and New York before returning home. I make yearly trips to major capitals for Fashion Week, working alongside some of the most iconic Makeup Artists as part of their show teams, however my travels have been put on hold due to Covid.
What does a normal day in the life look like for you?
It's difficult at times to commit to a daily routine as a freelance artist with call times varying but I usually start my morning with lemon and warm water and black coffee. If I can squeeze in a pilates session or 15 min meditation before work then it's a bonus. I don't usually wear makeup, I have always been aligned to a more natural look so I do treat myself to a 5 min face massage with my Gua Sha (currently going between Pai Organic Rosehip oil and Biossance Squalene + Vitamin C) It detoxifies and stimulates blood flow which makes the skin look tighter and brighter for an all over healthy glow.
What are you passionate about?
To name a few, I'm passionate about health, wellbeing and self development. I'm always willing to learn and explore new things throughout my work and personal life. Im passionate about sustainability, I'm always trying to remember that our ecosystem is fragile and to make conscious and considerate choices in effort to give back to mother nature.
What inspires you?
It's difficult to pinpoint, there are so many things and the people around me that inspire me daily. Right now however, I'm revisiting the romantic, dream-like, painterly makeup found in works of photographers such as Sarah Moon and Paolo Roversi. The romantic, ethereal moods that at times reference classical history of art and elegant almost mystical female figures, is so beautiful.
What are your personal superpowers?
I can cook up a mean pasta! I love bringing friends and family together over food. When it comes to shoot days, I share a little magic by placing a drop of ayurvedic oil on my wrist. The scent creates a space for calmness whilst massaging the models face as part of my skin prep before makeup is applied. There is a sense of connection and a moment for breath before the shoot begins.
Tell us about your artwork, lipstick and thread, how did this come to be?
The idea started a few years back, I couldn't part with throwing out lipsticks that were past their use-by date, no longer safe to apply on models and destined for landfill, I wanted to make something beautiful for the home. As a makeup artist and dabbling a little in painting and drawing. I looked at this as an alternate medium. The colours, different textures and luxury of them. I felt that there was something further to explore. Lipstick and thread plays on layers of colour, shape and form in an abstract expression on linen or board. Sometimes the lipstick takes its own path; bleeding into the linen and shifting shape (similar to the way in which it can bleed into the edges of lips). A malleable product that requires patience and cooperation, resulting in the perfect imperfections both intentional and unexpected.
When you aren’t working - where can you be found? What do you do in your spare time?
Currently you can find me on the floor in my sunroom where I've created a makeshift studio. I normally have a podcast playing or music blaring depending on my mood. I'm working on a new series of artworks that's inspired by my childhood growing up in small town Harvey, Western Australia. Otherwise almost any opportunity I can get, I'm down at the beach for a dip. Swims at Bronte pools are still a recurring favourite.
What does beauty look like to you?
I think it's instinctual, it may be about exploring your inner and outer beauty or expressing yourself with Makeup by creating your own beauty trend. There's something really powerful in what makes you feel most confident and comfortable. It's individuality and uniqueness.......freedom, that's beauty.
If you could give your younger self advice based on everything you know, what would It be?
To be patient, relax, trust your intuition and believe in yourself. There is ample time ahead of you to fulfill your dreams.
lipstick and thread featured in St Agni Journal - No.61
RUSSH Magazine
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"It's the silver lining from being in isolation. It is giving me the time and space to focus, create and explore." Makeup artist, Teneille Sorgiovanni turned expired lipsticks into works of art and in turn found an outlet for her endless creativity.
There is power in slowing down. Dare we say that boredom is useful, no necessary, for creativity. That isolation is certainly not a time to keep busy. But that perhaps idle hands and wondering minds are the perfect start to get back in touch with our creative selves. On her inspiration, creative process and trials and errors.
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Where did you get the inspiration to start making art with lipstick?
The idea started a few years back, I couldn't part with throwing out lipsticks that were passed their use-by date and no longer safe to apply on models. As a makeup artist and dabbling a little in painting and drawing, I looked at this as an alternate medium. The colours, different textures and the luxury of them. I felt that there was something further to explore.
Lipstick and thread plays on layers of colour, shape and form in an abstract expression on linen. It's been meditative in a way and given the current circumstance, it's the silver lining from being in isolation. It is giving me the time and space to focus, create and explore.
What materials do you use in your art?
I manipulate and condition linen to create a canvas. Once they are primed, I then move to the lipsticks which are applied with different sized palette knives to best achieve my desired result. However, sometimes the lipstick takes its own path; bleeding into the linen and shifting shape (similar to the way in which it can bleed into the edges of lips). A malleable product that requires patience and cooperation, resulting in the perfect imperfections both intentional and unexpected.
Have you found a particular lipstick works best?
I have fond memories of diving into my Mum's Chanel and Dior lipsticks as a child, so naturally when I first started I was drawn to velvety reds and satin neutrals. I tend to work with matte to semi-matte textures as I find that anything too high gloss doesn't give me the depth and longevity it needs.
The designs I've created don't set, it's essentially a living artwork as the nature of lipsticks in general don't completely dry whilst they are oil based. This has been rewarding in maintaining the integrity of the natural form of the product.
Do you look to any artists/ artworks for inspiration when you're making your artworks?
Yes, absolutely! I love abstract expressionism. Artist's like Willem de Kooning, Mark Rothko, Cy Twombly and Joan Mitchell have all inspired me, to name a few.
However, I find inspiration in many different forms and often look to my makeup kit for colour scheme concepts. It's exciting mixing colour and texture and reaching a point of consistency that I'm happy with and just go for it.
Real Living Magazine - Shop
‘No.7 Salt Lake Series’ - featured in REAL LIVING MAGAZINE
February Issue 2021
No.7 'Salt Lake Series'
